kamara.hu/3 The Glass Bead Game
KAMARA.HU – CHAMBER MUSIC FESTIVAL OF THE LISZT ACADEMY
kamara.hu/3
The Glass Bead Game
more
KAMARA.HU – CHAMBER MUSIC FESTIVAL OF THE LISZT ACADEMY
kamara.hu/3
The Glass Bead Game
more
Ön egy múltbeli eseményre keresett rá. Kérjük, válogasson aktuális kínálatunkból a Jegy.hu keresőjében!
Last event date: Saturday, November 17 2018 5:00PM
Helena Winkelman: The Clock
Messiaen: Quatuor pour la fin du temps
Artistic directors of the festival: Izabella Simon and Dénes Várjon
Reto Bieri (clarinet), Alexander Janiczek (violin), Dénes Várjon (piano)
Merel Quartet: Mary Ellen Woodside, Edouard Mätzener (violin), Alessandro D’Amico (viola), Rafael Rosenfeld (cello)
What is the connection between the works by Helena Winkelman and Olivier Messiaen? Time. The Swiss-Dutch composer set Shakespeare’s 12th sonnet to music and titled it The Clock. The poem examines the passage of time from the ticking of the seconds through Nature’s decline to the inevitability of death. It was written for Winkelman’s string quartet, Merel Quartet, and premiered at the Engelberg Chamber Music Festival. The standout moment of the performance was when alongside the musical imitations, the actual church bell of this picturesque town started to toll, ruthlessly reminding all of the passage of time. Time is also present in Messiaen’s quartet written and performed while a POW in 1941, although instead of the passing of time the focus is on perfection. In its spirituality, the work, which is completely divorced from worldly things, has an affinity with the Order, the secretive brotherhood of Hesse’s The Glass Bead Game.
Presented by
Liszt Academy Concert Centre
Tickets:
HUF 900
Artistic director and director-choreographer Balázs Vincze is very familiar with the tastes of dance aficionados partial to the traditions of bourgeois theatre and is superb at adapting familiar and popular literary classics to the dance stage. His wonderful sense of proportion enables audiences to follow plots in the language of dance. His contemporary choreographies built on classical foundations are unique, spectacular and of a high professional calibre without losing sight of the need to please the audience.
Vujity Tvrtko új estje rengeteg kalanddal, hatalmas optimizmussal és motivációval, valamint a legyőzhetetlenség erejével. Egy világgá ment riporter elképesztő élete és történetei, amelyekkel szeretné jobbá tenni mindenki életét! A Túl minden határon-est méltó folytatása a Föld minden pontjáról most Önökhöz érkezik!
A két nagysikerű könyv szerzőjének egész estét betöltő estje, ahol minden a generációkról fog szólni, szóban és esetenként zenében is.
Fidelio Élő operaközvetítés a New York-i Metropolitan Operából egy szünettel, 185 perc, 2025 német nyelven, magyar és angol felirattal
item(s) in basket
total:
Time limit has expired. Please, put item(s) in to basket again.