Program


SCHUMANN’S PIANO CHAMBER MUSIC/1

SCHUMANN’S PIANO CHAMBER MUSIC/1

COMPLETE WORKS LIVE
SCHUMANN’S PIANO CHAMBER MUSIC/1
Series Editor: Dénes Várjon
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Last event date: Thursday, January 24 2019 7:00PM


Schumann: Fantasy Pieces, Op. 88
Schumann: Sonata for Violin and Piano No. 1 in A minor, Op. 105

intermission

Schumann: Bilder aus Osten (Pictures from the East), Op. 66
Schumann: Piano Trio No. 3 in G minor, Op. 110

Hanna Weinmeister, Mary Ellen Woodside (violin), Rafael Rosenfeld (cello), Izabella Simon, Dénes Várjon (piano)

At one time, the compilers of the Great French Encyclopaedia set themselves the task of systemizing their world and laying out the “limits of certainty, possibility and the dubious”. Similar objectives are driving, in part, those who put together the complete works, whether printed or (as in the current case) ‘live’ works. The investigation of these boundaries is especially important in the oeuvre of Robert Schumann (1810–1856), because in the past few years music life has been upset by the proposal of a German psychiatrist that Schumann was forced into a mental institution not due to a disease of the mind but rather because of his frustrated and desperate wife. Since prevailing researchers of the Schumann oeuvre tended to approach the composer’s (mainly late) works from the aspect of the onset of insanity, every ‘overview’ now offers a good opportunity for the revision of long-accepted viewpoints and judgements. Schumann’s piano chamber music features in the framework of the Complete Works Live series; hosts of the six concerts (and the guarantors of their quality) are the world-famous Hungarian pianist couple Izabella Simon and Dénes Várjon.

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Fadinard esküvőre készül, de a lova megeszi egy katona szeretőjének szalmakalapját. Hogy a tomboló katona ne verje szét a lakását és a lagziját, Fadinard kénytelen beszerezni egy ugyanolyan kalapot, miközben menyasszonyt, apóst, násznépet kell percenként leszerelnie. Kortalan francia csúcsbohózat.

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Carl Orff CARMINA BURANA Scenic cantata, in the original languages, with Hungarian and English surtitles

“If you have heard János Balázs perform, you must have experienced a compelling and completely unique concert.”

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